The Tennessee Arts Academy is the nation’s premier professional development institute for arts education. A program of the Tennessee Department of Education, the Academy has been held annually since 1986 on the campus of Belmont University in Nashville, Tennessee! This page will serve as the starting point whenever there is a need to conduct virtual TAA programming. Information will be provided here on when and how to access the virtual site. Please feel free to contact the TAA office by email (taa@belmont.edu) or by phone (615-460-5451) if you desire further information.
Robyn McClendon is a mixed media artist. She studied paper making and bookbinding in the tradition of apprenticing, as these disciplines were dying art forms in the 1980's and were being revived by artists. She subsequently taught in universities and museum systems as an adjunct professor, often setting up the programs in the art departments of these schools nationally, as the discipline of book as art was becoming recognized as a significant art form. She also worked and taught in the book binding department at the Smithsonian Institution. She has exhibited widely both nationally and internationally, and has written a best selling book called Gel Plate Printing for Mixed Media Art, published through Schiffer Publishing. As an artaeomythologist, McClendon leads retreats and workshops that combine the visual arts, idea generation and book arts which help participants find a voice for their story, move forward, and recognize a more authentic artistic experience.
This super fun and easy book structure aims to impress! In this workshop participants will create a triangle book by folding a single sheet of paper and then cutting it in just the right places. A signature of pages will then be sewn that will turn this magical structure into a book in a box. Participants will need paper, metal ruler, bone folder or credit card, scissors, and needle and thread.
David Tamori taught at Oroville High School for more than thirty-seven years, teaching drawing, 2D design, 3D design, and jewelry making. He supervised more than thirty student teachers. Tamori received the National Art Educators Association Award for Outstanding Secondary Art Educator in the pacific region and the California Art Educators Award for Outstanding Secondary School Visual Art Educator. He served on the development committees for the Praxis, and National Board for Professional Teaching Standards and as a member of the Commission on Teacher Credentialing Bias Review Committee. Tamori is a consultant for the College Board Advanced Placement Art and Design Program, in the Western states region.
The session will include an investigation of five universal shapes that are found in designs throughout the world. Participants will need drawing paper, a 4B pencil, a ruler, and a classroom-grade compass. If time permits, the shapes will be used for a watercolor or acrylic painting. For the painting, participants will need a set of watercolors or acrylics, 140 pound watercolor paper, multimedia paper or canvas.
Lindsay Halford is the fine arts coordinator for Rutherford County Schools. She has also served as an elementary general music teacher and middle school band director. Halford holds degrees in music education from Middle Tennessee State University and a doctorate in learning organizations and strategic change from Lipscomb University. She advocates daily for arts education and supporting the teachers that provide this vital work in schools.
Join us for a collaborative discussion about supporting arts programs by creating proposals for grants and funding.
Randal Box retired in 2018 after twenty-seven years as director of bands at Brentwood High School and assumed the position of director of bands at the Academies of West Memphis High School and supervisor of instrumental music for the West Memphis School District in Arkansas. He retired from teaching in December 2021 and continues to maintain an active schedule as a guest conductor, concert and marching band adjudicator, and a presenter of clinics and student leadership workshops. Box is a past-president of the Middle Tennessee School Band and Orchestra Association and the Tennessee Bandmasters Association, a John Philip Sousa Foundation laureate, and in 2022 was inducted into the Tennessee Bandmasters’ Hall of Fame.
The concepts of literacy and fluency, and the distinctions between them, are usually associated with the art of language. These concepts can be applied to music as well as other creative and performing arts, and mastering these skills will help students in all stages of development to move to higher levels of excellence.
Michael Chandler is an assistant professor of music and coordinator of music education at Austin Peay State University in Clarksville, where he teaches graduate and undergraduate courses in music education and supervises student teachers. Chandler taught elementary general music in Texas public schools for sixteen years where his student groups performed as invited ensembles at the Texas Music Educators Association conference. He was a collaborative pianist for the Children’s Chorus of Greater Dallas for ten years and is the current founding conductor of the Clarksville Children’s Chorus. Chandler teaches all three levels of Orff Schulwerk basic and recorder in several teacher education courses across the United States. His work has appeared in the Southwestern Musician, Update: Applications of Research in Music Education, The Orff Echo, and Orff-Schulwerk International.
Have you ever felt overwhelmed by the sheer amount of long-range, unit, and individual lesson planning asked of you while simultaneously being expected to guide your students toward mastery of their specific grade-level standards? Is the process of selecting repertoire and musical materials a challenge for you? The curricular responsibilities placed on elementary general music teachers are substantial. During this online session, participants will learn about the presenter’s approach to managing curriculum planning at the long-range, unit, and lesson stages while also considering an effective process for repertoire and material selection.
Michele Henry is division director and a professor of music education at Baylor University, where she teaches music education courses, supervises student teachers, and oversees the music education program. Specializing in vocal sight-reading instruction and assessment, Henry is the co-author of the Level Up! sight- reading series, which focuses on a systematic approach to individualized sight-reading instruction and assessment.
Creating independent musicians is a major goal in any music classroom, but instruction for sight-reading can be complex, intangible, and will require a long-game approach. In this session, participants will discover how to break down the sight-reading process for students at any level—beginner to college—and create procedures for students that will make the intangible tangible and set students on their journey to musical independence.
Sarah Hankins is a director, actor, teacher, and theatre administrator with a strong focus on collaboration, physical theatre, and heightened language. She recently joined the Tennessee Shakespeare Company as the manager of education and outreach. Hankins was recently the artistic director at Triad Stage, a professional regional theater in North Carolina, and previously she was a freelance theater artist in New York City. She has taught theater education programs from Maine to Florida, for students ranging from kindergarten to college, including teaching and directing at Greensboro College and Guilford College.
This workshop is designed to get your heart pumping and your laughter going with a series of fun physical activities and vocal warm-ups. Participants will be able to take this sequence back to their classrooms to encourage risk and playfulness. Activities in this session are inspired by the approach to clown technique of Christopher Bayes of the Yale School of Drama. This workshop is a great introduction to the world of clowning.
Amanda Pintore is a director, choreographer, and educator focusing on movement, dance education, devised theatre, and creating theatre and dance performances with and for children. She also specializes in arts integration, creative facilitation strategies, and training in teaching artistry. She is a Fulbright specialist, and in the fall of 2023 she collaborated with students and faculty at the Atlantic Technological University in Ireland.
Amanda Pintore will lead participants in a series of community building activities designed to help students learn embodied storytelling. These activities invite students to recall memories and objects that are important to them and to activate these ideas with their peers using their voice, body, and imagination. These concepts are best enjoyed by students in first through twelfth grades.
Anne Grgich was born in Portland, Oregon, and has spent her whole life creating art in the Northwest. As a child, she exasperated her parents by taking books from the shelves and filling them with paintings. As a mature artist, some of her most popular works are based on the same principle. Grgich repurposes old library books into an unfolding series of complex canvases by adding collage, textural elements, and multiple layers of paints, while still allowing glimpses of the book’s original material to shine through. Grgich is one of ,the most original and innovative of the group of American artists known as Outsiders. In addition to profiles in many publications and to showings and exhibitions in this country and abroad, Grgich’s work is in the permanent collections of many international museums. She has curated more than fifteen exhibitions and is currently an online art teacher at Sonheim Studios.
Participants in this session should gather ephemera; thin paper, old comics, the funnies and things like stamps or packaging. Gather several vases, garage sale books, magazines and various printed paper, flowers, and maps. You will rip, cut, create color piles, and develop a theme. You will build forms and texture, and embed rhythm patterning into your art. Using the bone folder you can burnish the collage with some glue stick to seal. The final layer makes a nice backdrop for drawings or poetry with paint pens or pencils. The pattern method utilizes under-layers and over-layers in repetition, connecting images, never covering anything up, and working with abandon. Participants should have these items on hand for the session: several different repurposed vases, glue stick, collage and ephemera, scissors, bone folder, gel medium and a paint brush.
Lori Santos grew up with a family interlaced in Hawaiian, Portuguese, Puerto Rican, and Taíno cultures. She has worked with Indigenous artists and art education communities worldwide, including Canada, Mexico, Tonga, Peru, and the United States. She earned her PhD in art education with a specialization in art history of the Americas from the University of North Texas in Denton. Santos supports the inclusion of contemporary Indigenous artists to expand place-based concepts in art education. Her recent scholarship emphasizes Indigenous pedagogies and art as stories of place, identity, and environment. She is the founder of the Puzzle Peace Pledge Project.
This session introduces cultural based stories of the Americas and Indigenous artists who use storytelling as creative expression. Participants will create their own nature-based story using a selected prompt. Participants should have on hand the following items: organic materials (small twigs, leaves, twine, flowers), nature related magazines for collage, pencils, and a variety of colored pencils, markers or crayons. Also bring watercolors or acrylic, water and bowl, paper towels, small brushes, scissors, and glue stick. Bring paper that is 12 by 18 inches in size, and suitable for drawing, mixed media, or watercolor.
Ekundayo Bandele began his career as a playwright with Talking About My Man and Down in Heaven’s Basement, which were followed by many other successful productions.
In 2006, Bandele founded Hattiloo Theatre in Memphis, Tennessee, with the mission to develop a Black theatre that is accessible to, relevant to, and reflective of a multicultural community. Each year he curates a season of seven plays, which have featured film and television stars such as Harry Lennix, Geoffrey Owens, and Debbi Morgan. In addition to his Hattiloo Theatre credits, Bandele has directed numerous plays, and assisted Tony Award-winning director Ruben Santiago-Hudson for the Willamstown Theatre Festival’s production of Paradise Blue. In 2019, he took a production of Ain’t Misbehavin’ to Spazio Teatro No'hma in Milan, Italy. In 2020, he returned to Milan with Lady Day at Emerson’s Bar and Grill, and again in 2023 with Mahalia: Queen of Gospel.
Bandele raised $4.3 million which resulted in the construction of Hattiloo’s 14,000 square foot venue, and then he raised $5.5 million to establish an endowment. He negotiated with the city of Memphis a $1 per year, twenty-five-year lease for a closed public school that he converted into the Technical Theatre Center. In 2022, he launched the Hattiloo Black Theatre Studies Institute at LeMoyne-Owen College in Memphis, Tennessee.
Bandele is a graduate of Leadership Memphis’s executive program, and a graduate of the University of Maryland’s DeVos Institute of Arts Management Fellowship. He served as chairman of the city of Memphis’s Division of Office of Youth Services and as a founding board member of the Overton Park Conservancy. Bandele currently serves as a founding board member of the National Black Theatre Owners Association and the Chicago-based African American Museum of the Performing Arts. He and his wife of thirty years, Nicole, have two adult daughters named Hatshepsut (Hatti) and Oluremi (Loo), whose combined nicknames are the inspiration for the theatre’s name: Hattiloo.
The Tennessee Arts Academy Virtual Winter Retreat is proud to once again present “Tennessee Talks.” Tennessee Talks is designed to showcase the thoughts and reflections of a notable Tennessean whose life’s work has had a major influence on the arts, arts education, and the lives of all citizens throughout our great state. Much like the Academy’s “Musings,” Tennessee Talks is a time of meaningful inspiration and introspection.
This year’s Tennessee Talks guest of honor is Hattiloo Theatre Director and Founder, Ekundayo Bandele of Memphis.
Hannah Sorrells-Tyler
Hannah Sorrells-Tyler is a violinist from Asheville, North Carolina, and now resides in Nashville. She received her bachelor degree from St. Olaf College in Northfield, Minnesota, and performed in the the St. Olaf Orchestra under Steven Amundson. She earned her master’s degree from Belmont University while serving as concertmaster of the Belmont Symphony. Sorrells-Tyler has performed in venues all over the world including the Grand Ole Opry, Carnegie Hall, St. Thomas’s Church in Leipzig, Germany, and the Kennedy Center. She is first violinist in La Vie Quartet, a chamber ensemble she founded in 2017, which performs the highest caliber repertoire of classical string quartets, current Top 40's arrangements, and beyond. Sorrells-Tyler started the Opus Project, which attempts to connect classical music to common human experience. Through music-making and performing, she desires to allow people to be in touch with themselves, and with something much greater.
Gabija Žilinskaitė
A native of Fort Mill, South Carolina, Gabija Žilinskaitė attended Vanderbilt University where she earned a double major in violin performance and psychology. She received the Linde B. Wilson Scholarship and the Jean Keller Heard Prize for musical excellence. Under the instruction of Stephen Miahky, she enjoyed many performance opportunities, including appearances with the Vanderbilt Symphony Orchestra and the Vanderbilt Opera. A resident of Nashville, Žilinskaitė frequently plays as a substitute section violinist in the Nashville Symphony Orchestra. She has appeared with the Nashville Chamber Music Society and regularly performs in the greater Nashville area. Žilinskaitė works full time at the Vanderbilt Kennedy Center Treatment and Research Institute for Autism Spectrum Disorders as a research analyst. She hopes to attend graduate school for child psychology and enjoys sharing music with children at the Vanderbilt Acorn and at the W.O. Smith Music School.
Samuel Bender
Hailing from Nashville, Tennessee, violist Samuel Bender attended Vanderbilt University where he earned a double major in music and computer science. A recipient of the Dean's Honor and the Laura Kemp Goad Scholarships. While at Vanderbilt, Bender used his time to further realize his aspirations as both a musician and tech nerd. His former primary teachers include Kathryn Plummer, Daniel Reinker, and John Kochanowski. Bender has spent multiple summers at both the Brevard Music Festival and the Eastern Music Festival, where he had the opportunity to work with Maestros Gerard Schwarz, José-Luis Novo, Grant Cooper, Keith Lockhart, and Ken Lam. His private instructors included Erika Eckert, Jenny Snyder Kozoroz, and Peter Chun. Currently a full time software engineer at a Nashville-based global technology firm, Bender indulges his ardor for music by pursuing as many performance and recording opportunities as his schedule will allow.
MaryGrace Bender
Cellist MaryGrace Bender is a performer, teacher, and believer in the beauty of music and the important impact it has on how we see the world. She earned an undergraduate degree from the Robert McDuffie Center for Strings at Mercer University and a master's degree in cello performance from the Cleveland Institute of Music, and she is versed in the Suzuki Method. Bender founded the Nashville Chamber Music Society and performs with the group on a regular basis in a variety of spaces for diverse audiences. She performed with the McDuffie Center for Strings in Carnegie Hall, as a Young Artist for the Rome Chamber Music Festival in Italy, and has recorded with orchestras under Philip Glass’s Orange Mountain Music label which the Wall Street Journal called, “impeccably polished.” Bender regularly records in Nashville and currently lives in Huntsville, Alabama. As a Suzuki teacher, she leads a full studio of cellists in the Nashville area, as well as a studio in Huntsville.
About The Nashville Chamber Music Society
The Nashville Chamber Music Society (NashvilleCMS) is a group of musicians dedicated to the performance and promotion of chamber music in Nashville and the surrounding areas. The group is currently in residence at Covenant Presbyterian Church in Nashville and in Huntsville, Alabama at Tangled String Studios. As a nonprofit organization, NashvilleCMS partners with local schools, retirement homes, homeless shelters, and a variety of concert venues to bring artistic excellence and beautiful experiences to the neighboring community. The Music City Review stated, "NCMS audience members feel they are enjoying an evening of fine music with friends." NashvilleCMS is proud to bring chamber music back into smaller spaces so that both the performer and listeners interact and feel known. Performers for today’s TAA concert include Hannah Sorrells-Tyler, violin; Gabija Zilinskaite, violin; Samuel Bender, viola; MaryGrace Bender, cello.